Secondhand Bookshops
While travelling through Bacchus Marsh with Tiki we found a secondhand bookshop. I love bookshops, but I love secondhand ones even more. The one we found had a fair range with good prices ($1.50 - $2.00 paperback, $3 hardcover), and used to be the blacksmith's workshop.
It reminded me how much I love secondhand bookshops - they are wonderful places. You can find books there that you've been searching for for years, you can discover books and authors you never knew existed, and usually at a reasonable price. Every shop has its own feel, its own flavour. Sometimes the person behind the counter is just a staff-member, sometimes it's the owner. Many are friendly folks, who have a great love of books, some are grumpy, finding customers a necessary evil.
There's almost always a copy of the novelisation of E.T. the Extra-Terrestrial by William Kotzwinkle to be found on the SF shelves, sitting there like an old friend, waiting to be rediscovered. In many of the secondhand shops around Melbourne, you can find books stamped to show that the previous owner was Alan Stewart.
I wish I had the time and money to browse through them more often.
Book Prices
I'm sure I'm not the only person who thinks that book prices have gotten a bit silly. $20 for a brand new paperback? I used to be able to afford to buy extra copies of favourite books to give people, but not any more. It's just too damned expensive!
Now, I wouldn't mind if a bit more of that money was finding its way to the authors. I'd be quite cool with that. Writing ain't easy, it's underpaid and under-appreciated. I know authors, people who have proper books out, and none of them are swimming in cash. Well, Sean Williams is - in his mansion there's a swimming pool of money - he said he got the idea from an old Scrooge McDuck comic. But even he only manages because he's cloned himself, and has had the artificially aged and educated clones helping him meet the various deadlines.
But most other writers, well, they are out selling matchsticks on the street between published stories.
I wouldn't mind if wages had kept up with the price of books, but they haven't. And it's not just new books, either. There are secondhand shops out there charging $10 for ratty old paperbacks! Okay, that's half the price, but it still seems excessive.
And let's face it, the high price tag isn't exactly translating to better quality books, either. What happened to proof-readers? Editors who actually edit? One of the reasons for big thick books is that the cost of producing a giant doorstop is only a little more that producing a 120 page novel. People perceive (or so the publishers think) that a thicker book is better value for money.
Of course I'm speaking here for big publishers - small press have to charge a bit.
Personally, I'd prefer a story to be well-edited and as long as it needs to be, and pay my money for something well-crafted, than to have to trudge through an extra 300 pages of crap. It's not worth my time, and it's certainly not worth my cash.
While travelling through Bacchus Marsh with Tiki we found a secondhand bookshop. I love bookshops, but I love secondhand ones even more. The one we found had a fair range with good prices ($1.50 - $2.00 paperback, $3 hardcover), and used to be the blacksmith's workshop.
It reminded me how much I love secondhand bookshops - they are wonderful places. You can find books there that you've been searching for for years, you can discover books and authors you never knew existed, and usually at a reasonable price. Every shop has its own feel, its own flavour. Sometimes the person behind the counter is just a staff-member, sometimes it's the owner. Many are friendly folks, who have a great love of books, some are grumpy, finding customers a necessary evil.
There's almost always a copy of the novelisation of E.T. the Extra-Terrestrial by William Kotzwinkle to be found on the SF shelves, sitting there like an old friend, waiting to be rediscovered. In many of the secondhand shops around Melbourne, you can find books stamped to show that the previous owner was Alan Stewart.
I wish I had the time and money to browse through them more often.
Book Prices
I'm sure I'm not the only person who thinks that book prices have gotten a bit silly. $20 for a brand new paperback? I used to be able to afford to buy extra copies of favourite books to give people, but not any more. It's just too damned expensive!
Now, I wouldn't mind if a bit more of that money was finding its way to the authors. I'd be quite cool with that. Writing ain't easy, it's underpaid and under-appreciated. I know authors, people who have proper books out, and none of them are swimming in cash. Well, Sean Williams is - in his mansion there's a swimming pool of money - he said he got the idea from an old Scrooge McDuck comic. But even he only manages because he's cloned himself, and has had the artificially aged and educated clones helping him meet the various deadlines.
But most other writers, well, they are out selling matchsticks on the street between published stories.
I wouldn't mind if wages had kept up with the price of books, but they haven't. And it's not just new books, either. There are secondhand shops out there charging $10 for ratty old paperbacks! Okay, that's half the price, but it still seems excessive.
And let's face it, the high price tag isn't exactly translating to better quality books, either. What happened to proof-readers? Editors who actually edit? One of the reasons for big thick books is that the cost of producing a giant doorstop is only a little more that producing a 120 page novel. People perceive (or so the publishers think) that a thicker book is better value for money.
Of course I'm speaking here for big publishers - small press have to charge a bit.
Personally, I'd prefer a story to be well-edited and as long as it needs to be, and pay my money for something well-crafted, than to have to trudge through an extra 300 pages of crap. It's not worth my time, and it's certainly not worth my cash.
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When I had my second-hand book store, I think the most I charged was $15 for an as-new recent hardback. The paperbacks were $7 for as-new, down to 50 cents for the crappy ones. It didn't do that well, unfortunately, Sussex Inlet wasn't ready for a second-hand bookstore. But one day, I'll have one again. It's my dream to own a book store. Well, one of many :)
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(The Disney movie didn't include the nipple print scene)
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But it is frustrating.
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(i) distribution and warehouse costs
(ii) publishers being taken over by megacorporations who insisted on all branches of their empire making at least 8% profit, rather than the 2-4% that book publishers used to make
(iii) the GST proving to publishers that (a) book addicts would continue to buy books however high the price and (b) the Howard government wouldn't interfere, but would make up for any revenue lost because of the higher prices by giving money directly to the megacorporations that owned the publisher (never to the authors)
One of the bizarre results of the price rise is that it's now much easier to sell hardcovers than it was. When I started as a bookseller, hardcovers cost up to ten times as much as paperbacks. Now, because the prices have gone up by about the same amount (another hint that distribution costs are the problem, rather than paper), they only cost twice to three times as much.
But yes, it is frustrating.
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Eric Flint has commented about it on several occasions (no link handy sorry), and apparently so has Tom Delaney at TOR.
Something to do with concentration of the market into the major chains...
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The rise of Borders and B&N, which had enough shelf space to display paperbacks as thick as bricks, meant that this was no longer an issue.
OTOH, US paperback prices don't seem to have risen as drastically as those in the UK and here. As best I can tell, looking through my library, they've roughly trebled over the past 20 years, while prices here have increased by a factor of six or more. Here, of course, we're supposedly paying a premium to keep Australian publishers (mostly subsidiaries of British publishers) afloat so they can publish Australian authors. In reality, Australian publishers are so contemptuous of the backlist (anything more than a year old) books by Australian authors are more likely to remain in print outside Australia, and schools and universities have to import them!
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Barring Tuesdays*, the former has barely moved in 20 years. The latter has collapsed by about 2/3rds. ie Hardbacks have gotten cheaper, lots cheapers, and this reflects the changes in the distribution/profit breakups.
*And Greater Union Civic desperately trying to fight off Dendy Civic...
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my dad has thie theory that Order Of The Phoenix was so damn big because Rowling said "I'm a celebrity now, I"m gonna write it my way", and really, it did go on a bit much.
i agree with you, i'd rather read short and good than wade through 300 pages of crap. well said.
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Also, editing takes time. Do you think Harry Potter or Robert Jordan fans (and their publishers) want the next book to be good, or do they want it now?
(I'm not a fan of either series, btw, and I'd much rather read short and good. But if sales figures are anything to go by, we're in the minority.)
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*sighs*
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I guess I should be grateful that Melbourne does still have a few secondhand bookshops where it's worth either the time to sift through the books, or the money because it's such a good book...
But I am now getting to the point where unless it's an author I *must* read! - I can wait to discover a second hand copy.
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Do you remember the 2nd hand bookshop (Franklins?) that used to be near the corner of Bourke & Russell St in the 80's? You could even pick up a 2nd hand Supervoc in there!
I found a very good one in Daylesford, great range of genre stuff, they even had the old Australian reprint issues of the 60's Superman Comics in there at very reasonable prices
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I suspect that in real monetary value terms that the cost of books is not that much greater now that it has been in the past, but if you compare the hour or so it takes to read a 200 page book with the average cost of a copy of a 90 min movie, the movie option has become the cheaper time filler in recent years, which may explain why there's so few movie novelisations now.