
As a film it was ok, but as a musical it didn't work. Which means essentially that as a film it didn't work. Now I'm left to wonder whether the musical was always bad, or whether Burton's adaptation of it is rubbish.
For me, if I don't come away humming a single song, or even remembering them, it's a failure. And if Sharon, who is a song-stuck-in-the-head magnet, isn't caught by any of them, then that's badness times two!
I just watched Deep Roy's songs from Charlie and the Chocolate Factory to get the taste out of my mouth.
From:
no subject
From:
no subject
And I have to admit, much as it looks gorgeous, I'm a bit over Burton's washed out gothic look. He's overdone it, though for this film it's kind of right regardless of his excesses elsewhere.
From:
no subject
From:
no subject
From:
no subject
But I have waaaay too much *stuff* already, so I'm only buying films I've seen and definitely want to watch again. And again. And again. ;)
From:
no subject
Only exceptions are historically important films, which as a film buff I need to own or I shall die.
From:
no subject
Maybe one song that I remember.
From:
no subject
I almost want to see the musical to see if it's as bad.
From:
no subject
From:
no subject
From:
no subject
From:
no subject
From:
no subject
At the cinema, after the first of these, I embarrassed poor Jon by saying loudly, "That is the best thing I ever saw."
From:
no subject
From:
no subject
From:
no subject
However, I thought Helena Bonham Carter, Timothy Spall and Sasha Baron Cohen all gave really good performances. Shame Depp chewed up all the screen time.
I think I may have upset the Johnny Depp Fangirl Brigade when I gave my rather negative review of it during last year's "2007 in Film" panel ;)
From:
no subject
From:
no subject
Fuck that agree to disagree crap! Pistols at dawn!
From:
no subject
Deep Roy rocks my socks. I can't believe you met him. I loved his turn in Charlie and the Chocolate Factory. He must have had so much fun making that film.
From:
no subject
I didn't meet Deep Roy, it was only a dream I had, sadly. He is someone I'd like to meet though. His turn as the Oompa Loompas was really hard work. Having to film every dancing Oompa Loompa separately, learn all the choreography, try to sing (he discovered he couldn't actually sing)... it was a big, hard role. But he got well paid, at least.
Michael Anderson, the dwarf from Twin Peaks, is another. I remember a mate of mine did meet him, and then started to talk to me about how at the same event he met some other 'name' actor or director, and I told him to shut up and go back to Anderson. Apparently the backwards dialogue thing had been his party piece for years, and Lynch didn't know about it when he cast him. Lynch was so impressed at how easily he could do the lines backwards, he gave the actor a lot more lines to read.
I've always wanted to write a script casting a small person in an important role, and never once referencing their height.